YOUR ROYAL FINEST: QUEEN AMINA IS HERE

TALENT AMINA ★ INTERVIEW BY Fatima Turay

At just 23, Queen Amina has revamped herself into a meticulously diligent artistic butterfly.  This up-and-coming creative visionary has broken free from her cocoon, and her hands are not to be tampered with. A young and passionate artist, with a skill and talent that compares to few is in a league of her own. Taking her creative intelligence to a new level by intertwining her brilliant knack for design and art, Amina’s pieces effortlessly compare to walking art installations. Acting as her own muse doesn’t hurt either, seeing that she’s stunning. But less about vanity, Amina is the perfect model for her creations because simply put, they are just that - creations, crafted with grave detail, she is the finishing touch to the full vision. Capturing the essence of the creations (which majority are self shot) take you on an editorial high of pure originality which is much appreciated and inspiring in these nostalgic times we have come to know. The labor that goes into these lavishly eye-catching productions are only gifted to us in photos and occasional BTS scenes from her social media, but Qayael pieces need to be seen in museums, and red carpets worldwide. Will be. It's not often to see someone execute fashion at an engineer-like level, and with no team behind her to help construct these pieces, Amina is a rarity. All the magic lies in those hands, a determined spirit and producer mentality. As we get a little more acquainted with this queen, let us remember at the end of the day, queens conquer all that is before them, and we are witnessing Queen Amina do just that.  

FATIMA: Amina, thank you for letting AWWM chat with you, and get in your head a little. Describe the moment when you knew it was sink or swim, in terms of pursuing your goal as a fashion designer.

AMINA: The moment I knew it was sink or swim in terms of pursuing my goal to become a fashion designer was a very vivid and mind-altering experience. As an abstract painter, I’d always held the act of creation close to me. The feeling of being able to come up with the most spontaneous ideas separate from connected emotions allowed me to create so selflessly, but over time I felt a growing disconnect towards it all. It was as if everything that was once so fiery for me slowly began to turn into faint smoke, becoming more of a stagnant routine than a progression toward my true aspirations. It happened gradually over time, I would stand and stare at the piles of unfinished work, scrambled sketches, and canvas’ that had been covered time and time again, when I finally had the realization that - this was not what I wanted to do. I began to come to the awareness that my true happiness was slipping away, and that I was becoming comfortable with the familiarity of it all and slowly succumbing under the weight of perceived expectations. My creativity and spirit were crying out for a new medium and was calling for myself to come back to what meant everything to me before painting, and that was fashion and design. 

My pull towards fashion has been with me since a young age. Where I’d take apart clothes and hand sew them back together or just to see how they were put together in the first place. I’ve always admired the shape that clothing and garments create, whether it be to the figure or the actual piece itself. As I sat and slowly “came back to myself”, the idea of merging my love for abstracts, geometrics shapes, antique visions, wearable art and the dream of seeing my creations come to life in movement, ultimately lit a spark within me. The decision was fairly easy and quickly made. I gave myself an ultimatum and decided, without a doubt, on what needed to happen and the change that was bound to ride whether or not I fought against it. That feeling of exhilaration instilled in me that, if I did not focus and chase my true passions, I would end up dreaming for the entirety of my life and living one half full. 

Your inspired look of this year's Met Gala theme would have had the girls calling your line: absolutely stunning! Have you ever imagined seeing your designs on those iconic steps?

Yes. Oh my. A thousand times yes. Before I took the steps to dive into fashion design fully, I would physically dream, daydream and visualize my designs gracing the iconic steps and worn by the most notorious names - even before I knew how I’d get to that point, I always felt it was going to happen one way or another and to this day, I still feel strongly about it. The Met Gala is truly one of my favorite fashion events, and each year I look forward to the designer’s visions and how those who wear them will ultimately complete the vision. I adore and crave the outrageous, the outside of the box and far from it creations. The moment I am allowing my work to grace the Met Gala, I have made an oath to myself to not only be innovative with my work but to also visibly pay homage and bring nostalgia towards the entire creation. 

Are the accolades and invitations a big source of validation to those of you who want to create clothing for the masses, or would you rather let the numbers talk?

When it comes to pursuing anything with full force, I believe that accolades and invitations are certainly affirmations of one’s efforts and creativity but I also firmly stand strong in those not being the ultimate source of validation. The true essence of pursuing a creative career lies in the passion, dedication and drive that fuels the work. For me, it has always been actively focusing on my goals and pouring my soul into every endeavor. Accomplishments and recognitions are wonderful, and this is in no way, me deterring that, but they’re byproducts of a deeper process that needs to shine as well. 

To me, what matters most is the work ethic, the consistency and that restless pursuit towards success that we’re all working towards. It’s the hours spent perfecting a design and studying the Greats that inspire me, educating myself on the technicalities needed, the attention to detail, and the strong commitment to pushing my boundaries where the real satisfaction is found. When it comes to validation, I’ve always wanted my work to speak for itself. For others to see my progressions, how I evolve and the impact that my creations will make visually and emotionally is what will always be most meaningful and rewarding to me as a designer. To know where I started from, and to see where I will go all from remaining consistent within myself is something that will forever add to my character and creative spirit.

Do you think a designer also has to wear other hats to complete their vision? (i.e. model, photographer, creative director, etc.)

Not necessarily, I believe it would always come down to the vision at hand. At times it’s best to focus and bring eye to the design itself and in other cases, the hat or headpiece is a part of the design if not the main focal point. It is always about what would cater best to your creative process, the needs of the project, and the overall visionary goal of the creation.

Name three of your top fashion influences, (i.e. fashion houses, designers, models) and what about them do you admire?

Three of my top influences would have to be Paco Rabanne, Pierre Cardin, and Thierry Mugler. 

Paco Rabanne is a primary influence because of his use of unconventional materials. He didn’t stick to fabric - he used metal, plastic, wire cutters and other unexpected materials to create his designs. He constantly redefined conventional fashion and his free-forming experimentation is what I strive to achieve within my work. 

Pierre Cardin’s geometric designs are a constant source of inspiration for me as his use of shapes and forms pushed the boundaries of fashion and further helped me realize how clothing can be an architectural piece of art. His designs were way ahead of his time, futuristic and nostalgic all in one cohesive space. Visually, he was amazing at capturing the essence and aesthetic of his brand, something I hold close to for inspiration. 

Lastly, but certainly not least; Thierry Mugler. Oh, how I love watching his shows. To watch his models become live fantasies as he created full storylines throughout his showcases… they were pure theatre. He didn’t just present clothes, he told stories and merged fashion with performance art. His attention to detail, the way he lived and brought fantasy to life on the runway is mesmerizing and truly something I wish I had the opportunity to experience in the flesh. From the dramatic silhouettes to the boldness his models carried in their faces and walks, it was truly about the creation of an experience. 

There is something in the detail of your work that is so meticulous yet appears almost effortless: how much time can go into fully seeing out a project?

Paying attention to detail is something I’ve always been very particular about with my work. Shifting into design, I’m taking even more time to do that. As opposed to just coming to the canvas, working, and finishing in a matter of hours, when it comes to designing, the planning and execution can take days if not weeks to complete. This is something I’ve always longed for, to take more time on my work, and fashion design is giving me more space to do that. I’m more careful with my technique, I strategically plan out what I am going to do, almost as if I’m building an ingredients list along with an exact itinerary of what needs to be done. I fully expect to spend months if not years on an entire collection, being a part of that world and system is something I am excited about and looking forward to.

If you could write it down on paper, what exactly would you want to be doing with all the talent you possess; dream job?

To sculpt and redesign material into ingenious shapes and ideas and create visually pleasing films and photography catered to fashion and design. 

In fashion design, imitation can sometimes still pass as original: how do you stay in your zone and un-influenced by surrounding creators?

In the industry of design, staying focused and more so locked inside of my lane is crucial. As creators, we all draw energy from unique and personal sources given inspiration and influence is everywhere. It is then, only up to us, to allow them to shape our perspectives and work ethics, either negatively or positively. I remind myself that my creativity is simply that - my creativity - it is distinct and personalized just for me. While it’s easy to become distracted by what others may be doing, it is essential to stay true to my vision by focusing on the process that I’m critiquing and building along the way, allowing my unique influences to guide me, ensuring that I always remain authentic and original. 

What Pisces trait goes hand in hand when you’re a fashion designer?

As a Pisces, my water sign allows me to flow and feel very easily as my intuition guides me through my work. We, Pisces, are known for our deep sensitivity and creativity, which helps us tap into very unique inspirations that others may not have thought of beforehand or designs that one may have overlooked at some point. The strong passion for self-expression that I am working towards means that I must trust my emotions to create pieces that are truly original and imaginative, reflecting my inner world of how I receive and release throughout. There are other aspects within my chart that cater to my creative ability and pull towards design, shape and building but my Pisces trait carries me strong in following my true intuitions.

Operating in spaces where you have to let your work speak for itself, have you had to handle rejection for being what you call yourself “unconventional”?

As a designer who is slowly emerging into the industry, I have yet to face rejection for referring to myself as unconventional, but I know challenges are a part of the journey. When that moment comes, it will help me be open-minded to adversity and use it as a stepping stone to grow. I believe everything is a learning curve – as nothing happens to me, but for me. Critiques and judgments won’t deter my path; instead, they’ll motivate me to improve and strengthen my creative spirit. I understand this industry is tough, but it's that very toughness that will shape me into a better designer. Rejection and challenges are just part of the process, and I’m ready to embrace them as opportunities for growth.

Talent versus skill: which one is more essential to you: why?

I believe both talent and skill are essential, but still holds a slight edge. Talent is important as it provides the natural creativity and vision that set you apart. However, skill is what allows you to execute that vision effectively. Understanding the industry and honing your craft through practice and consistency is so important. True talent can be developed into a refined skill with dedication. To me, it’s not just about having creative ideas but also about knowing how to bring them to life and navigate the industry successfully. Skill ensures that your talent can be realized, and appreciated and that you can hold meaningful conversations when the time is needed. 

What are some key attributes that one must possess to be considered a designer?

To be a designer, I believe one would need a mix of creativity, technical skills, and a deep understanding of materials and form. It's crucial to know how different materials work together and how to use shapes to tell a story through one’s designs, something I am learning more and more. You have to think outside the box and push boundaries while mastering the technical aspects like sewing, pattern-making, and draping, and understanding the relationship between various fabrics, textures, and materials is key. You need to use shapes to enhance and create unique silhouettes and be meticulous with every aspect of your design. Being adaptable and ready to learn with ever-evolving trends and techniques is essential as these skills can help anyone turn their ideas into wearable art. 

Can you explain the ideal life you see yourself leading, if so can you paint that picture for us?

As an unconventional designer and creative visionary, I will experience a life filled with endless creativity and exploration as I have the opportunity and privilege to travel the world, meeting and working with diverse people, creatives, and cultures. To be able to learn and understand the history of design, fashion, and creative design film on a global scale. I envision myself creating on a massive, unbelievable level, collaborating with amazing individuals, and constantly pushing my boundaries, further redefining what’s possible within my work. This life will be a blend of inspiration, learning, and artistic expression, which will help me to grow and innovate continually.

They say you should go crazy in your 20s, and be wild and free but when you are a self-made entrepreneur at 23, can you afford to be crazy and wild?

Being an artistic creative and entrepreneur at this age is my way of being wild and free. My creativity fuels this freedom, allowing me to explore and innovate without boundaries. However, to sustain this lifestyle, I have to make necessary decisions and prioritize what’s truly important in each moment. Balancing creativity with practicality is a task everyone needs to understand. It’s about making smart choices to afford the freedom to keep creating and living on my terms. As I always like to say; ‘In life, you have to do what you have to do to do what you want to do.

What was the first piece you ever made?

The first design I ever created was a piece made entirely out of coffee filters. The high school I graduated from had a Fashion Design class and it was my favorite class. Ms. Poyet, my teacher, taught me how to sew, inspired me to buy my first sewing machine, and ultimately fostered my love for fashion design. I loved it. We were given the task to create a garment using recycled items and I chose coffee filters. I draped and created a pattern using muslin, then I single-handedly attached the coffee filters throughout the entire piece. She was a two-piece set, a sleeveless crop top with flared pants, and I was so, so pleased and proud of myself. To this day, I always go back to that moment and I’ll soon recreate a design using coffee filters just to pay homage to myself and that class that I hold so dearly to my heart and passion. 

Being a young black woman navigating through these creative spaces, how do you maintain confidence in what you do?

Being a Young Black Woman emerging and navigating myself through these creative spaces, I maintain the confidence that the fact at hand is my superpower. I stand firm in my ability to create just as great if not better than any counterparts regardless of their background or orientation. Staying true to who I am, staying firm, and giving myself that reassurance in knowing what I can bring to the table is enough to keep me going.