Regal. Dynamic. Stoic. These are just a few of the choice words that can be mentioned to describe the work of film photographer, Moody Blu. Moody’s repertoire ranges from high fashion looks to more artistically appreciated stills that all cast a spell on you. His images have a heartbeat: beating beauty, individuality, and a lingering charisma that makes his moniker, Moody Blu, a pun full of intention. With an elegant and avant-garde approach that you notice in the final product, it’s no wonder Moody has ventured further into creative direction with his production house, @mb9studios. From the array of muses/subjects to collaborating with other creatives, but ultimately being the man with the plan—Moody Blu is an essential piece to executing any project, trust HIS process.
Fatima: So… did you find photography, or did it find you?
Moody: I would say I found photography. Amid self-discovery and trying to find my voice, photography was the only thing that made sense.
Would you say one has to be savvy at multiple things to be a creative director: stylist, photographer, editor, etc?
Not necessarily savvy but I believe one has to have a vision for what they want to communicate in either discipline. Just having a general understanding of
everything makes life easier.
There’s something melodic about your work, and it creates a feeling when I look at it: is there an artist or song that comes to mind when you look at your images?
Love this question! Don’t Blame Me by Yusef Lateef.
Fun question; you get to direct your favorite brand's newest campaign: what is the brand, and who is your dream team? (Talent/model, hair stylist, and MUA)
I’ve always wanted to produce for Comme Des Garcon, it just makes sense for this to happen, ya know. The dream team will have to be my go-to’s and day 1’s, they know who they are.
You represent the DMV but also have managed to find your way through the Concrete Jungle: what about NYC do you think draws so many artists and creative people?
New York just forever has that license to freedom of self-expression and identity that you rarely find in other places which makes it a safe haven for people who want to express themselves honestly.
Do you usually source your muses from the internet, use your friends, or street scout?
Mix of all for sure.
You are about to celebrate your birthday, June 5th, so an early happy birthday is in order! What is your wish for yourself?
Thank you! I wish for growth and tranquility. As I’ve gotten older I don’t ask for much.
What are some things you do to stay inspired to create?
Studying my peers and the art form as a whole keeps me going. I’m constantly amazed by what can be communicated and translated with something as simple as a camera.
How do you feel about this statement: art can be educational but art school is a scam. Thoughts?
No lies told. Art in its purest form is meant for you to utilize your mind and heart which in turn builds wisdom. I believe art school just imprisons you to this idea of failure that stumps potential.
What moods come out of you when you are behind the lens?
Peace and calmness :)
What are the advantages of working with creatives like yourself and artists that utilize artificial intelligence?
I always found it greatly beneficial to collaborate with other creatives because it offers new perspectives and insight that I would otherwise lose sight of. I’m always inspired by the brilliance of other people. I’m not completely against AI. Its only when it takes away from the responsibilities and authenticity of the artist that it gives me cause to pause with a side-eye.
Can you name three figures (public or personal) that have influenced you; why?
Creatively I would say Malick Sidibe and Paolo Roversi. Malick for his honest approach to capturing the true beauty and nature of his subjects. Paolo for how he’s able to evoke and challenge emotion with light and color.
Why did you choose Moody Blu for your moniker?
It made sense with the vibe I saw my work was giving. And it’s easier to market than my government haha.
The project “ASSIGNMENT 002: Musty Corp.” felt like a story was being told through the photos: would you consider yourself more of a conceptual artist?
With that particular project I related to what the designer, Tyrone Smith, was communicating with his pieces so I tried to translate it the honest way possible. As far as being a conceptual artist, I never really thought to put up a label. I just do and what comes out of it , is what it is.
What is your take on the struggling artist troupe: do you believe all artists have to suffer for their art?
Not necessarily, but I do believe suffering allows you to truly view yourself through a lens that challenges you and challenges always produce great results.
Do you prefer working alone with a “blank canvas”, like a client with a small idea but needs your creative direction, OR collaborating with other like-minded friends on projects?
A blank canvas for sure, I am a loner in this regard. I’m not opposed to big productions but I need room to 2-step, ya know.
Do all the serious artists keep their faces off of socials, wink wink…?
I’m not completely serious and faceless. I may do a little post-delete here and there but I always want the attention on my work.
Is there a dream position for you: maybe as the creative lead for a recording artist, or brand? Have you sought out representation?
I’ve always wanted to produce something for Ye but that's been looking shaky nowadays lol. I seek representation, there’s a lot of competition out there but I’m patient.
Has anything from your Somali/Haitian background contributed to your work ethic or content?
1000% working hard and doing what you need to do without complaint is a philosophy that is preached in every Haitian and Somali household I know of. Failure never existed in my vocabulary and I can say it has benefited me and continues to benefit me in every way imaginable.
